![]() Marvel Comics: The Untold Story by Sean Howe.^ Titley, Craig (writer) Bochco, Jesse (director) (October 27, 2015).185: "In issue #8, cover dated July 1977, Kirby introduced a robot whom he originally dubbed 'Mister Machine.' Marvel's 2001 series eventually came to an end but Kirby's robot protagonist went on to star in his own comic book series as Machine Man." Raleigh, North Carolina: TwoMorrows Publishing (89): 47–51. "A Monolith in Comics: A Look at Jack Kirby's Adaptation of 2001: A Space Odyssey". ^ a b c Lantz, James Heath (July 2016).^ 2001: A Space Odyssey series at the Grand Comics Database.It is clear that Jack read Clarke's original novel, for in a couple of instances Kirby prefers the Clarke novel over the Kubrick film. Raleigh, North Carolina: TwoMorrows Publishing (31): 53–57. Kubrick - A commentary on Jack Kirby's adaptation of 2001: A Space Odyssey". ^ 2001: A Space Odyssey treasury at the Grand Comics Database.Clarke's classic science fiction film 2001: A Space Odyssey as an oversize Marvel Treasury Special. Marvel published its adaptation of director Stanley Kubrick and writer Arthur C. London, United Kingdom: Dorling Kindersley. ^ Sanderson, Peter Gilbert, Laura (2008).In other media Īllusions are made to the series in the Agents of S.H.I.E.L.D. Issues #9 and 10, the final issues of the series, continue the story of X-51 as he flees destruction at the hands of the Army. Stack, X-51 takes the name Aaron Stack and begins to blend into humanity. Abel Stack and an encounter with a Monolith, transcends the malfunction that destroyed his siblings. X-51, supported by both the love of his creator Dr. All the other robots in the X series go on a rampage as they achieve sentience and are destroyed. Mister Machine is an advanced robot designated X-51. In issue #8 (July 1977), Kirby introduces Mister Machine, who is later renamed Machine Man. While the New Seed is unable or unwilling to prevent this devastation, he takes the essence of two doomed lovers and uses it to seed another planet with the potential for human life. In #7 (June 1977), the comic opens with the birth of a New Seed who then travels the galaxy witnessing the suffering that men cause each other. Issues #1–6 of the series replay the same idea with different characters in different situations, both prehistoric and futuristic. When he finds it, this Monolith begins to transform the astronaut into a Star Child, called in the comic a "New Seed". The scene then shifts, where a descendant of Beast-Killer is part of a space mission to explore yet another Monolith. Once again the reader encounters a prehistoric man ("Beast-Killer") who gains new insight upon encountering a Monolith as did Moon-Watcher in the film. In this issue, Kirby followed the pattern established in the film. Shortly after the publication of the treasury edition, Kirby continued to explore the concepts of 2001 in a monthly comic book series of the same name, the first issue of which was cover dated December 1976. The treasury edition also contained a 10-page article entitled "2001: A Space Legacy" written by David Anthony Kraft. ![]() In addition, the comic narrative captions describe the characters' thoughts and feelings, a significantly different approach from that taken by the film. The story is a close adaptation of the events of the film, but differs in the fact that Kirby incorporated additional dialog from two other sources: the Clarke/Kubrick novel and a copy of an earlier draft script of the film that included the more colloquial-sounding version of HAL 9000, as originally voiced by actor Martin Balsam before Douglas Rain took over. Marvel published the adaptation in its then-common treasury edition format featuring tabloid-sized pages of roughly twice the size of a standard American comic book. The adaptation was part of the agreement of Kirby's return to Marvel. Jack Kirby wrote and pencilled both the adaptation and the series, which were published by Marvel Comics beginning in 1976. 2001: A Space Odyssey is an oversized American comic book adaptation of the 1968 film of the same name as well as a ten-issue monthly series which expanded upon the concepts presented in the Stanley Kubrick film and the novel by Arthur C.
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